ArtMovements

All art movements.

Every movement on the site, grouped by era and ordered by when it began.

Renaissance

6

Baroque & Rococo

3

The Long 19th Century

29
Archers (Kyujutsu) Page 7 by Katsushika Hokusai 1817 — Ukiyo-e
1600–1900
Ukiyo-e
Woodblock visions of Edo's fleeting floating world
Spanish:  Retrato de Feliciana Bayeu, hija del pintor — Neoclassicism
1760–1830
Neoclassicism
Cool restraint, civic virtue, and ancient Rome revived
Schloss Milkel in Moonlight — Romanticism
1800–1850
Romanticism
Emotion, nature, and the sublime over cool reason
German:  Heilige Familie mit Johannesknaben — Nazarene Movement
1809–1850
Nazarene Movement
German painter-monks reviving medieval Christian sincerity in Rome
Landscape — Hudson River School
1825–1875
Hudson River School
America's wilderness painted as sacred, sunlit destiny
French:  L'Angélus The Angelus — Barbizon School
1830–1870
Barbizon School
Painters who took their easels into the actual forest
"Une soirée oisive au sérail" by Giacomo Mantegazza — Orientalism
1830–1900
Orientalism
Europe's exotic, dream-lit vision of the Islamic East
French:  La prière au CairePrayer in Cairo — Academic Art
1840–1900
Academic Art
The official taste of the 19th-century Salon system
Staircase Group (Portrait of Raphaelle Peale and Titian Ramsay Peale I) — Realism
1840–1880
Realism
Ordinary life painted without flattery or myth
Silver and Gold — Pre-Raphaelite Brotherhood
1848–1890
Pre-Raphaelite Brotherhood
English painters longing for art before Raphael's polish
Catskill Creek — Luminism
1850–1875
Luminism
Hushed light and glassy stillness on the American coast
Italian:  Ritratto della terza mogliePortrait of the third wife — Macchiaioli
1855–1880
Macchiaioli
Italian painters who built pictures from patches of light
Flaming June — Aesthetic Movement
1860–1900
Aesthetic Movement
Beauty pursued for its own sake, no moral required
Arts and Crafts Style with Celtic Knot Matchsafe, 1902–03 — Arts and Crafts Movement
1860–1910
Arts and Crafts Movement
Handmade beauty raised against the machine
Polish:  Gra w krokieta (fragment parku w Bidzinach koło Sandomierza) — Impressionism
1860–1890
Impressionism
Light, broken into a thousand strokes
Japanese:  『神奈川沖浪裏』 - Kanagawa oki nami ura — Japonisme
1860–1900
Japonisme
Europe's infatuation with Japanese design and image
Николай Мирликийский избавляет от смерти трёх невинно осуждённых — Peredvizhniki
1870–1900
Peredvizhniki
Russian realists who carried art to the people
Seascape from Cobo Bay RMG BHC0008 — Tonalism
1870–1915
Tonalism
Twilight, dissolved into a single hue
The Child’s Bath — American Impressionism
1880–1920
American Impressionism
French light, painted on American ground
Polish:  Ad Astra — Symbolism
1880–1910
Symbolism
Dreams, myth, and mood over observed reality
French:  Opus 217. Sur l'émail d'un fond rythmique de mesures et d'angles, de tons et de teintes, Portrait de M. Félix Fénéon en 1890Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890 — Neo-Impressionism
1884–1905
Neo-Impressionism
Color built from thousands of tiny dots
The Yellow Christ — Cloisonnism
1885–1895
Cloisonnism
Bold outlines caging flat pools of color
Portrait of a Young Girl holding an Apple — Naïve Art
1885–1960
Naïve Art
Self-taught vision rendered with wonder and precision
"Te Tiare Farani" de Paul Gauguin (Fondation Louis Vuitton, Paris) — Post-Impressionism
1885–1910
Post-Impressionism
Color and brushwork pushed past fleeting appearances
Sir Arthur Ernest Streeton (1867-1943) 127 (25910368047) — Heidelberg School
1886–1900
Heidelberg School
Sunburnt light on the Australian bush
Poker — Les Nabis
1888–1900
Les Nabis
Prophets of flat pattern and intimate scenes
Self-Portrait Dedicated to Carrière (1888) by Paul Gauguin. Original from The National Gallery of Art. Digitally enhanced by rawpixel. (50623825532) — Synthetism
1888–1900
Synthetism
Memory and emotion synthesized into painted form
Detalle Art Nouveau de una casa en Puebla — Art Nouveau
1890–1910
Art Nouveau
Nature's curling lines transformed into total design
Costume Design by Eduard Josef Wimmer-Wisgrill — Vienna Secession
1897–1920
Vienna Secession
Vienna's rebel artists forge a golden new style

Early Modernism

30
1887 backyard image — Ashcan School
1900–1915
Ashcan School
New York's grit and gaslight, painted unflinchingly
Fauve Landscape — Fauvism
1904–1910
Fauvism
Wild, unmixed color unleashed from nature's true hues
Spanish:  Bailarinas de Czardas Czardas Dancers — Die Brücke
1905–1913
Die Brücke
Young Dresden radicals bridge craft and raw feeling
1. ЕКДИШМАН. холст, масло — Expressionism
1905–1930
Expressionism
Raw inner feeling distorting color, line, and form
"At the Wharf" — Cubism
1907–1925
Cubism
Shattering single-point perspective into faceted planes
Advent of the Mechanical Man — Futurism
1909–1930
Futurism
Speed, machines, and violence rendered in motion
German:  Blick in das Fruchtland View into the Fertile Country — Der Blaue Reiter
1911–1914
Der Blaue Reiter
Animals, color, and the spiritual pull of abstraction
AI-generated interpretation of Metaphysical PaintingAI
1911–1920
Metaphysical Painting
Empty piazzas haunted by impossible shadows
Sun, Tower, Airplane — Orphism
1912–1920
Orphism
Pure color spun into rhythmic, abstract circles
Cats (rayist percep.[tion] in rose, black, and yellow) — Rayonism
1912–1920
Rayonism
Reality dissolved into intersecting beams of light
Synchromy — Synchromism
1912–1925
Synchromism
Color harmonies orchestrated like musical chords
Blast 2 (detail) — Vorticism
1914–1918
Vorticism
London's machine-age answer to Cubism and Futurism
Composition XXII — Constructivism
1915–1930
Constructivism
Art rebuilt as engineering for a new society
Snow on Ayase river — Shin-hanga
1915–1942
Shin-hanga
Ukiyo-e's afterglow, painted with Western light
Ivanovo art museum - Kazimir Malevich - Suprematism — Suprematism
1915–1925
Suprematism
Pure feeling reduced to floating geometric forms
Angelika Hoerle Mann mit Auge — Dada
1916–1924
Dada
Deliberate nonsense as protest against a mad world
JB.Utrecht.Erasmuslaan.3 — De Stijl
1917–1931
De Stijl
Grids of primary color seeking universal harmony
"An' the stars began to fall." by Aaron Douglas — Harlem Renaissance
1918–1937
Harlem Renaissance
Black creative genius claims the modern spotlight
AI-generated interpretation of PurismAI
1918–1926
Purism
Machine-age clarity distilled from Cubist clutter
20er Bauhaus — Bauhaus
1919–1933
Bauhaus
Where art, craft, and industry became one
(1)Ritz Cinema-091 — Art Deco
1920–1939
Art Deco
Sleek geometry dressed in luxury and speed
The West Wind — Group of Seven
1920–1933
Group of Seven
Canada's wilderness, painted bold and unpeopled
AI-generated interpretation of Mexican MuralismAI
1920–1950
Mexican Muralism
Revolution and history painted large for the public
Arno Henschel, Stillleben mit Zeitung — New Objectivity
1920–1933
New Objectivity
A cold, unsparing mirror held to Weimar Germany
"One Third of a Nation" — Precisionism
1920–1940
Precisionism
American industry rendered as crisp, clean geometry
German:  Die Heilige vom inneren Licht The Saint of the Inner Light — Surrealism
1924–1966
Surrealism
Dreams, desire, and the unconscious made visible
American Gothic — American Regionalism
1925–1945
American Regionalism
The rural Midwest painted with pride and plainness
Conjure Woman — Magic Realism
1925–1960
Magic Realism
The uncanny hidden inside photographic precision
Eric Tucker 'Temptation' - wiki — Social Realism
1929–1950
Social Realism
Art bearing witness to poverty and injustice
Big Game Hunting in the USSR — Socialist Realism
1932–1980
Socialist Realism
Heroic labor glorified as official state doctrine

Postwar

22
AI-generated interpretation of Abstract ExpressionismAI
1943–1965
Abstract Expressionism
Raw emotion, unleashed across the whole canvas
AI-generated interpretation of Action PaintingAI
1945–1960
Action Painting
The canvas as an arena for the body
VdA LaM seraphine bouquet — Art Brut
1945–1975
Art Brut
Raw art made outside every rule of taste
Riemu — Tachisme
1945–1960
Tachisme
Spontaneous stains and gestures of raw instinct
AI-generated interpretation of Color Field PaintingAI
1947–1970
Color Field Painting
Vast, glowing color meant to be entered
AI-generated interpretation of CoBrAAI
1948–1951
CoBrA
Untamed color and folk myth rising from ruins
AI-generated interpretation of Neo-DadaAI
1952–1965
Neo-Dada
Found objects meet paint in irreverent collage
Using his feet — Gutai
1954–1972
Gutai
Painting reinvented as raw physical action
'Bacchanal' by Phyllis Mark,1968 — Kinetic Art
1955–1975
Kinetic Art
Sculpture set loose to move and shift
"Avaruuskostruktio", 1969. — Pop Art
1955–1975
Pop Art
Advertising's bright surface turned into fine art
Azopardo River of Rockwell Kent 1922 — Hard-Edge Painting
1959–1970
Hard-Edge Painting
Flat color blocks cut by razor-sharp painted edges
AI-generated interpretation of MinimalismAI
1960–1975
Minimalism
Industrial forms stripped to pure geometry and material
AI-generated interpretation of Nouveau RéalismeAI
1960–1970
Nouveau Réalisme
Real objects, torn posters, and industrial debris as art
1968 Construction on Red Background — Op Art
1960–1970
Op Art
Geometric patterns that trick the eye into motion
"The Final Problem" performed at lunch on Nov 2 — Performance Art
1960–now
Performance Art
The artist's own body as the artwork
Acció de Joseph Beuys — Fluxus
1961–1978
Fluxus
Everyday actions scored, boxed, and mailed as art
"Ontology", 2011-2012 — Video Art
1963–now
Video Art
Television turned into a medium for art
AI-generated interpretation of Conceptual ArtAI
1965–1980
Conceptual Art
The idea itself becomes the artwork's true material
AI-generated interpretation of Post-MinimalismAI
1966–1980
Post-Minimalism
Soft materials, chance, and process replace industrial rigor
AI-generated interpretation of Arte PoveraAI
1967–1980
Arte Povera
Humble materials turned into radical sculpture
"Eyes of Ocean" -Tanya Preminger -installation — Land Art
1967–1980
Land Art
Sculpture carved directly into the earth
American Landscape — Photorealism
1968–1985
Photorealism
Paintings so precise they mimic the camera

Contemporary

17